Uncategorized – Page 3

Soundboard 6

I have finally glued the two halves of the soundboard edgewise, meanwhile offering up – as Dad used to say – a wee little bitty prayer. The aim is to create a seamless seam, which is impossible: the seamless seam in the photos is the best I can do, for now, and in certain lights looks to be entirely acceptable.

Other lights, of course, paint a different picture – but I can always invoke my default philosophy: celebrate the imperfections, as inspired by traditional Wabi Sabi.

My next task is to shape the soundboard, and thereafter plane/scrape the thicknesses down to those measurements indicated on the perspex template. It’s going to be an interesting exercise; I have an idea I am headed for yet another ‘learning curve’….

Reflection 3

Apocropha: Ecclesiasticus 38

The wisdom of a learned man cometh by opportunity of leisure: and he that hath little business shall become wise. How can he get wisdom that holdeth the plow, and that glorieth in the goad, that driveth oxen, and is occupied in their labours, and whose talk is of bullocks? He giveth his mind to make furrows; and is diligent to give the kine fodder. So every carpenter and workmaster, that laboureth night and day; and they that cut and grave seals, and are diligent to make great variety, and give themselves to counterfeit imagery, and watch to finish a work: the smith also sitting by the anvil, and considering the iron work, the vapour of the fire wasteth his flesh, and he fighteth with the heat of the furnace: the noise of the hammer and the anvil is ever in his ears, and his eyes look still upon the pattern of the thing that he maketh; he setteth his mind to finish his work, and watcheth to polish it perfectly: so doth the potter sitting at his work, and turning the wheel about with his feet, who is always carefully set at his work, and maketh all his work by number; he fashioneth the clay with his arm, and boweth down his strength before his feet; he applieth himself to lead it over; and he is diligent to make clean the furnace: all these trust to their hands: and every one is wise in his work. Without these cannot a city be inhabited: and they shall not dwell where they will, nor go up and down; they shall not be sought for in public counsel, nor sit high in the congregation: they shall not sit on the judge’s seat, nor understand the sentence of judgement: they cannot declare justice and judgement; and they shall not be found where parables are spoken. But they shall strengthen the state of the world, and their prayer shall be in the work of their craft.

Utagawa Hiroshige 3

Moon Seen through Leaves

Soundboard 5

Here is the relief carving. I am using miniature files, riffler, chisel, gouge and sanding sticks to clean up the edges, and create an illusion of over,under….

Reflection 2

little snail
inch by inch, climb
Mt Fuji

Kobayashi Issa (1763 – 1828) –
translated by David G. Lanoue

Soundboard 4

Utagawa Hiroshige 2

Mitsuke – View of Tenryu River: designed by Utagawa Hiroshige (1797 – 1858)

This is number thirty seven of Hiroshige’s 53 Stations of the Tokaido, originally published by Hoeido in 1833 -34.

During the 1950’s, a famous publisher, Takawizama, issued a recut series – and my print belongs to that edition. New wood blocks (based on the original design) were cut by the master carvers, and printed with traditional colours on fine hand-made paper.

I think Mitsuke is one of Hiroshige’s most evocative and successful prints. Of course, he had to make a living, and was obliged to churn out hundreds of designs – many of which were good enough for the purpose, but not of the highest standard.

Maybe fifty or so prints are works of genius. Unlike Hokusai, Hiroshige understood both the strengths and limitations of the medium – and his personality (understated, and perhaps a little melancholic) is beautifully expressed in Mitsuke. It is the creation of a poet; an impulse of the heart – which at the same time goes to the heart of the landscape.

Hokusai, I should add, was undoubtedly a painter of genius, and a brilliant draftsman….but his woodblock designs seem to be more concerned with intellect than subject matter (or material): they are imposed on the woodblock without compromise.

That is just my view; I suspect most art critics would disagree….